Hypermuse is a browser-based audio and VJ visualization project built with Three.js. It turns audio energy into animated 3D geometry around a sphere and can map uploaded video frames onto those geometries for live performance visuals.
Just want to run the show, not read code? Jump to Using Hypermuse (plain-language guide). An illustrated PDF covering every mode lives at
artifacts/hypermuse-modes-guide.pdf(regenerate withnpm run guide:pdf; refresh its screenshots withnpm run guide:stills).
This section is for performing with Hypermuse without touching any code. If someone technical set it up for you, you can ignore everything else in this README and just follow along here.
Hypermuse runs as two windows:
- The controller (
controller.html) — your "remote control." This is where you click buttons. The audience never sees this. - The visual (
sonicsphere.html) — the actual art that reacts to music. This is what you put on the big screen / projector.
The controller opens the visual for you and sends it commands. Think of it like a lighting desk (controller) driving a stage (visual).
The Controller style dropdown (top row) recolors the control panel itself —
crt green (phosphor + scanlines, matches the Ikegami terminals), green mono
(flat terminal), amber terminal, or red alert. It only themes this window,
never the outputs, and the choice persists across reloads.
If the app is already running on the computer, open a web browser (Chrome works best) and go to:
http://localhost:8080/controller.html
If nothing loads, someone needs to start the app once. A technical helper can do this
by opening a terminal in the project folder and running npm install (first time only)
then npm start. After that, the link above will work.
On the controller, click open/reopen visual (top of the page). A second window
opens — that's your art. Drag it onto your projector/second screen and make it
fullscreen.
Tip: the easiest way to start with something good-looking is to click one of the Presets buttons (for example
cells1+cells2 autoplay (with logo)). It opens the visual already configured.
The visuals react to sound. You have two options:
- Easiest: just play music out loud / through the venue — but the visual needs the
audio fed into it. For a reliable signal, load an audio file directly: in the visual
window there's a
Musicfile picker — choose an.mp3/.wavand it starts reacting. - Press
hin the visual window to hide or show its control panel.
Here's what each section of the controller does, in plain terms:
- FX Mode — the overall "style" of the visuals. Click one anytime to switch:
classic— the original glowing geometric shapes and lineslife— cells being born and dying (classic "game of life" feel)hier life— layered living patternshex life— honeycomb cellular patterns that sweep down the screenkuramoto— pulsing waves that fall in and out of syncgray-scott— organic, blobby coral/spot patternsphysarum— slime-mold-like flowing trailsmolecule— rotating 3D molecule structuresnext mode— just jump to the next style
- Hex CA — fine-tunes the honeycomb "hex life" style:
speed— how fast the pattern evolves (1.0 is normal)sync audio— when checked, the pattern speeds up/down with the musicrule— the "recipe" for the pattern (trybloom,maze,coralfor different looks)cycle rule— flips to the next recipe automaticallyaperiodic— adds non-repeating randomness (0 = clean, higher = more chaotic)palette— the color scheme (aurora,magma,violet,mono,neon)apply hex— switches to hex mode and applies your settings
- Basic Video Mode — show your loaded video clips fullscreen with little/no effects. Good for a clean break.
- Bridge —
fade to blackandfade in. Your safety buttons for transitions. - SynBioBeta Logo — show/hide a logo overlay and set its position/opacity.
- Triangle (mosaic) vids — tiles video clips into a mosaic;
triangle + fxadds effects on top. - Loop Rating —
like loopkeeps a clip around;dislike & skipdrops it and moves on. Use this to curate what plays during the show. - Folder loops (playlist) — tick/untick which folders of clips are allowed to play.
- Color board / Color cube board — filter or display clips by color family.
- Click a Preset to open the visual, then make it fullscreen on the projector.
- Start your music (load an audio file in the visual window).
- Pick an FX Mode that fits the song (e.g.
hex lifefor builds,gray-scottfor ambient moments). - For hex mode, leave
sync audioon so it moves with the beat; tweakpaletteto match the mood. - Use
next modeor click another FX button to change the vibe between sections. - Use
fade to black/fade infor clean transitions. like/dislike & skipclips as they play to shape the set.
That's the whole job — pick a mode, match the palette to the music, and use fades for transitions. Everything below is for people who want to build sets, export videos, or modify the code.
- Analyzes incoming audio with the Web Audio API (
AnalyserNode). - Splits the frequency spectrum into bands and tracks per-band energy.
- Maps those bands to points distributed on a sphere.
- Creates reactive shapes, lines, and polygons when band thresholds are exceeded.
- Optionally textures geometry with video frames for VJ-style visuals.
- Exposes many live controls (thresholds, hue, camera/light, rotation, density) through a controller window.
The app is mostly multi-page HTML + inline script, with shared helpers in js/.
controller.html-> openssonicsphere.htmlin a second window and sends control updates withpostMessage.sonicsphere.html-> main audio-reactive sphere renderer.colorsphere.html+colorcontroller.html-> color-focused variant.poetsphere.html+poetcontroller.html-> poetry-related variant.polysphere.html,videosphere.html,venus.html,kurasphere.html-> alternate visualizer experiments.synergetics-fold.html-> Fuller's Synergetics 100.41 fold: a wireframe triangle folds its three corners up into a tetrahedron, tumbles, unfolds, and cycles through shape presets (?shape=equilateral|scalene|right|cycle,?speed=,?color=,?spin=; space pauses,sskips to the next shape). Export withnpm run export:fold. Add?mode=associatefor the Synergetics 108.01-03 demonstration: two open triangular spirals (positive + negative helix,?color2=for the second strand) tremble apart as unstable separate actions, then associate into the tetrahedron's six edges. The two tinted "event" faces bloom first; the two white complementary faces converge in from outside ("from the rest of the Universe") and a pulse marks the enclosed center — inside vs outside, 1 + 1 = 4. Export withnpm run export:fold:associate.prototypes/-> older or experimental variants.
Shared utility scripts:
js/video_processor.js-> video queueing, frame capture, texture updates.js/message_controller.js-> message handling for live parameter changes.js/audio_controller.js-> audio queue playback helpers and MIDI playback logic.js/sonic_geometries.js-> reusable geometry-building utilities.js/note_analyzer.js-> note/frequency mapping and peak detection helpers.
Layered simulation scaffold:
js/layers/audio_engine.js-> emits normalized audio frames (low,mid,high,beat,barPhase) from analyser data.js/layers/sim_compositor.js-> combines one or more simulation plugins into a texture layer for Three.js materials.js/simulations/life_sim.js-> Conway-style cellular plugin with audio-reactive speed/rules and beat-triggered spawning.js/simulations/hierarchical_life_sim.js-> multi-layer Life variant with coupled low/mid/high lanes.js/simulations/hex_life_sim.js-> hexagonal cellular automata with selectableB/Srules, color palettes, top-to-bottom reveal sweep, music sync, and an aperiodic modulation option.js/simulations/kuramoto_sim.js-> coupled-oscillator "communication" plugin (Kuramoto-inspired local neighbor sync).js/simulations/gray_scott_sim.js-> Gray-Scott reaction-diffusion plugin (organic coral/spot patterns with presets).js/simulations/physarum_sim.js-> Physarum (slime-mold) agent-trail plugin.js/simulations/molecule_graph_sim.js-> molecule communication graph plugin (SDF atom/bond topology with audio-driven diffusion + PubChem fetch support).
Because browsers restrict file/media APIs on file://, run a local server.
npm install
npm startThen open:
http://localhost:8080/controller.html(main controller -> opens visualizer)- or
http://localhost:8080/colorcontroller.html - or
http://localhost:8080/poetcontroller.html
The controller's Hypermoon panel opens hypermoon.html with ?kiosk=1: drag the
window to the target display and the first click/keypress makes it fullscreen and
hides the cursor. For a true kiosk (its own Chrome instance, fullscreen from the
start, autoplay allowed with no click needed):
npm start # serve on :8080 (if not already running)
npm run kiosk:hypermoon # Chrome kiosk pointed at hypermoon.htmlThe word field in the controller applies live — the letter mosaic redraws in
place, no reload (the mosaic font covers a–z, 0–9, and space). Sliders (speed,
brightness, bleed, anchor nudges, orbiting vajras, …) and the window presets
are live too — CRT, vajra cave, incantation, the bucky repertoire (below),
the baked sonicsphere loop, slideshows, any image/video path,
or another window (screen capture), which pipes any browser window or app
into the moon: pick the preset, click once in the hypermoon window, choose
what to share (needs the output opened via localhost). Switching content
never reloads; only changing the moon clip itself does.
Window size × is the master control for how big the dark-side
bleed-through is: it multiplies the auto-measured footprint live (drag right
and the window/word swells to fill the shadow; ?winscale=1.6 pins it in
exports). The word width/height sliders still set the exact footprint if you
want manual control.
Fuller's structures run as generative animations inside the moon window —
hypermoon.html?content=<key> or the controller's window preset menu. All
fold modes are wordless: the letter panel stays off so the geometry is never
covered by text (same as incant):
| key | what happens | Synergetics |
|---|---|---|
fold |
a wireframe triangle's corners hinge up into a tetrahedron, hold, unfold | 100.41 |
foldsonic |
same fold, but the faces are video panels playing the sonicsphere loop | 100.41 |
foldhelix |
positive + negative open triangular spirals tremble apart, then associate into the six edges of a tetrahedron; the two complementary faces converge in from "the rest of Universe" (1 + 1 = 4) | 108.01–03 |
foldjitter |
the jitterbug: the vector equilibrium's eight triangles, joined at their vertices, rotate and contract through the icosahedron to the octahedron and spring back open | 460 |
foldgeo |
geodesic bloom: an icosahedron carrying a frequency-4 grid bulges until every vertex hits the circumsphere — the geodesic dome — then relaxes flat | 985 / geodesics |
foldivm |
octet truss: the isotropic vector matrix (alternating tetrahedra + octahedra, all struts equal) crystallizes outward from a nucleus, breathes, dissolves | 420 |
The standalone synergetics-fold.html page still renders fold/associate
full-frame for exports (npm run export:fold, npm run export:fold:associate).
Pre-rendered fold loops. npm run export:fold:loops bakes every mode into
artifacts/fold-loops/ as square 1080×1080 clips (one full animation period
each), plus red variants of the five wireframe modes (fold-red.mp4,
foldhelix-red.mp4, …). Use them anywhere plain video works — dark-side
bleed-through (content=artifacts/fold-loops/fold-red.mp4), the any-video
picker, projector feeds, CRTs, other machines without the live makers. Under
the hood this uses two new hypermoon.html params that also work live:
?solo=1 renders any keyword content full-frame instead of on the moon, and
?ink=ff3b30&ink2=ff8a5c recolors the wireframe repertoire (red triangles on
demand). Run npm run manifest:videos afterwards so the clips show up in the
controller's video picker.
hypermoon.html?program=hour (or the program dropdown in the
controller's Hypermoon panel) runs a long-form arc measured in moon
rotations instead of seconds. The pattern: two rotations show only the
hyperstition word on its dark patch; on every third rotation the window
opens wordless on the current act's content and rides around with the
rotation. The acts progress — CRT terminal → incantation mantras → vajra
cave → the six bucky folds → the sonicsphere loop — over 204 rotations,
which is roughly an hour at the default speed (1/3 × the 6 s moon loop ≈
18 s per rotation), then the whole program loops. Picking any manual
content preset stops the program; the dropdown restarts it. The speed
slider stretches or compresses the hour (half speed = two hours).
The program editor below the sliders gives full control over the arc from the controller: each row is an act (content keyword or any video path — the box autocompletes across the whole manifest — plus cycles / dark / reveal counts), with reorder and remove buttons, a live duration estimate in rotations and minutes at the current speed, and a running "rotation N / total" readout. "load hour" fills in the default program as a starting point; "apply program (live)" sends the whole arc to the output without a reload; "stop" returns to manual control.
The controller has an Audio deck panel that plays from the controller
window itself — route that machine's audio output to the PA. One bed
loop plays forever (searchable across every audio file the manifest
found — mp3/wav/m4a/aac/ogg/flac under audio/, loops/, artifacts/,
assets/, external/, infinitestreams/). Three
interjection slots (A/B/C) each take a file, a period in seconds, an
optional ± jitter, and a volume; while enabled they fire on schedule, and
duck drops the bed to 25% for the duration of the interjection, then
restores it. The period counts from when the interjection starts, jitter
randomizes each occurrence (e.g. every 300 ± 60 s), and the "fire now"
buttons trigger a slot immediately. Swapping the bed file while playing
restarts with the new track. npm run manifest:videos refreshes the audio
list along with the video one (audio-manifest.json).
Everything the audio deck plays is tapped into a WebAudio analyser and the band levels are broadcast to the hypermoon output ~20×/s (the tap is transparent — the speakers get the same signal). On the moon, scaled by the intensity slider (0–2, default 1; 0 = deaf):
- vajras flare on bass beats — a kick-onset detector fires a beat envelope; each orbiting vajra swells (+22% size) and brightens (up to +90% opacity), staggered per lane so they don't pop in unison, and sustained bass adds a constant glow
- earthshine breathes with the bass — the faint light on the shadowed hemisphere pulses with the low end
- the window glow shimmers with the highs — hi-hats and cymbals ripple the brightness of whatever is showing through the window
- the letter mosaic shakes faster when it's loud — tile reshuffle rate scales with overall level
The music → moon row in the Audio deck panel has the on/off toggle, the
intensity slider, a live ▁▄▇ band meter with a ● beat light, and moon uses
its mic: instead of listening to the deck, the hypermoon window opens its
own microphone (grant permission once) — use this when the music comes from
a DJ, a PA, or anything not played through the controller. Boot params on
hypermoon.html: ?react= (intensity) and ?mic=1. Levels decay to zero
within a second if the feed stops, so nothing freezes mid-flare.
npm run manifest:videos scans loops/, artifacts/, assets/,
external/, and infinitestreams/ for every Chrome-playable clip
(mp4/webm/m4v/ogv) and writes video-manifest.json (~700 clips). The
controller's any video box in the Hypermoon panel loads it: type to
search (native autocomplete over all paths), pick an entry and it swaps into
the moon window live; random picks one at random (the search text acts
as a filter, e.g. type "underwater" then hit random). Rerun the manifest
script after adding new clips.
crt-terminal.html is the page to feed broadcast CRTs (Ikegami etc.). Chain:
computer HDMI → HDMI-to-AV downscaler → yellow RCA → RCA-to-BNC adapter →
VIDEO A IN; select input A on the front. Pass ?fx=0 on a real tube (it makes
its own scanlines), pick phosphor with ?color=green|amber|purple|cyan|white,
set the announced time with ?when=, override the script with
?text=LINE|LINE~NEXT SCREEN. ?safe= reserves margin for overscan (default
10%). Bake to video with npm run export:crt.
Any device on the same network can watch a live video stream of an output page in its browser. The video travels peer-to-peer over WebRTC; a tiny signaling server just brokers the connections:
npm start # static server on :8080 (binds all interfaces)
npm run stream:server # signaling on :8081 — prints the viewer URLThen:
- Broadcast the moon: open
hypermoon.html?stream=1on the host machine — it captures its own canvas and streams it (add&streamfps=to change the frame rate,&kiosk=1still works alongside). - Broadcast anything else: open
stream-broadcast.htmlon the host and pick any window, tab, or screen (sonicsphere, the projection rig, a video player…). Must be opened vialocalhost— screen capture requires it. - Watch: on the other device, open
http://<host-ip>:8080/stream-view.html(the stream server prints this URL on startup). It autoplays muted with zero clicks; a tap goes fullscreen. Viewers can join and leave at any time, wait before the broadcast starts, and auto-reconnect if it restarts. One broadcaster at a time; a new one takes over.
python3 pyserver.pyThen open http://localhost:8000/controller.html.
- Open a controller page.
- Click
Start. - Load audio files (
audio/*,.mid,.midi) and optional videos. - Adjust threshold sliders and other controls to shape the reaction.
- Use keyboard shortcuts in visualizer pages:
htoggle control panelvtoggle video list panel (where supported)
To preload a folder of loops (for example loops/bio1) and reuse it as a startup set:
- Put your loops in
loops/bio1(nested folders are supported). - Build a manifest:
npm run build:vj-set- In
sonicsphere.html, useVideo Set Manifest(sets/bio1.json) and clickLoad Set.
The manifest can also be loaded automatically by the sample export script.
Each loop entry includes transition controls:
{
"url": "loops/bio1/clip01.mp4",
"label": "clip01.mp4",
"transition": {
"type": "fade",
"durationMs": 900,
"holdMs": 8000
}
}Set-level playback can be pingpong (back-and-forth) or loop:
{
"playbackMode": "pingpong"
}You can tune defaults when building:
VJ_HOLD_MS=10000 VJ_TRANSITION_MS=1200 VJ_TRANSITION_TYPE=fade npm run build:vj-setUseful set-build options:
VJ_MAX_LOOPS=20 VJ_PLAYBACK_MODE=pingpong npm run build:vj-setSet manifests can also carry an effect schedule:
{
"effectTimeline": {
"enabled": true,
"phases": [
{ "name": "classic", "durationSec": 16 },
{ "name": "life", "durationSec": 16 },
{ "name": "kuramoto", "durationSec": 16 },
{ "name": "molecule", "durationSec": 16 },
{ "name": "stacked", "durationSec": 16 }
]
}
}When you click Load Set, this schedule is applied automatically.
Set manifests can optionally specify a real molecule source:
{
"moleculeGraph": {
"name": "caffeine",
"names": ["caffeine", "serotonin", "dopamine", "glucose"],
"cycleOnPhaseChange": true
}
}When present, the molecule source is loaded from PubChem automatically.
If names is provided, the set can rotate through the list as phases change.
You can also edit timeline behavior live in sonicsphere.html controls:
Effect phases(comma-separated)sec/phasetimeline onApply FX Timeline
classic preserves the original triangle/polygon visual style before layered variants.
Generate a short sample output recording:
npm run export:sampleBy default it tries to preload sets/bio1.json, injects generated test audio, and
writes artifacts/sample-sonicsphere.webm.
To target a different set manifest:
VJ_SET_MANIFEST=sets/another-set.json npm run export:sampleTo force a specific real molecule during export:
MOLECULE_NAME=caffeine npm run export:sampleFor the 6.5ft x 4.5ft wall target (13:9 aspect ratio), use the dedicated preset:
npm run export:sample:13x9Or override with explicit frame size:
EXPORT_WIDTH=1872 EXPORT_HEIGHT=1296 npm run export:sampleExporter note:
- If source is an audio file (
.wav,.mp3, etc.), audio is muxed into the output video. - If source is MIDI (
.mid/.midi), visuals still render, but export stays silent unless you provide an audio render of that MIDI.
You can also export directly from the UI using Start Export / Stop Export in
sonicsphere.html (uses browser MediaRecorder from the render canvas).
Frequency bands are mapped across a sphere using a golden-ratio-style angular step. When a band crosses its threshold, the corresponding point(s) activate and geometry is generated between active points, producing a live "music topology" effect.
sonicsphere.html runs a layered simulation pass:
- Audio analysis ->
HypermuseAudioEngine - Simulation plugin updates -> Life, Hierarchical-Life, Hex-Life, Kuramoto, Gray-Scott, Physarum, and Molecule-Graph plugins
- Texture composition ->
HypermuseSimulationCompositor - Rendered as an additive "simulation shell" mesh in the scene
This is intended as the base architecture for integrating Morpholib-style and other cellular systems with the same music sync pipeline.
The molecule plugin directly adapts the parseSDF approach used in
fractastical/metajargon and turns bonds into a communication network for signal
propagation.
You can load real molecule data live from controls in sonicsphere.html:
Molecule (PubChem name)input (examples:caffeine,serotonin,dopamine)Load Moleculebutton- status text showing loaded atom/bond counts
sonicsphere.html also runs a timed effect scheduler (while audio is active) that
cycles through effect profiles (about every 16 seconds by default, configurable via
the timeline controls). Available profiles:
classic-> original triangle/polygon geometry looklife-> Conway-style cellular lookhierarchical-life-> multi-layer Life lookhex-life-> hexagonal cellular automata (rules/palettes/aperiodic; music-synced)kuramoto-> oscillator-dominant sync lookgray-scott-> reaction-diffusion (coral/spots) lookphysarum-> slime-mold trail lookmolecule-> molecule-graph diffusion lookrewrite-> molecule-graph rewrite variantword-cloud-> floating phrase overlaystacked-> all simulation layers combined
The hex-life profile is a 6-neighbor hexagonal CA you can control live from
controller.html (the FX Mode + Hex CA panels) or via the VJ command API:
- Rule presets:
hexlife(B2/S34),bloom(B2/S3),maze(B3/S12345),pulse(B13/S24),coral(B2/S2); pluscycle ruleto advance automatically. speed,sync audio(sync evolution to the beat),sweep rows(top-to-bottom reveal rate),aperiodic(non-repeating modulation), andpalette(aurora/magma/violet/mono/neon).- URL boot params:
hexpalette,hexspeed,hexsync,hexsweeprows,hexrule,hexaperiodic(e.g.sonicsphere.html?mode=hex-life&hexrule=maze&hexpalette=violet).
The controller drives the visual by sending postMessage({ type: 'vj', ... }) to
sonicsphere.html (window.vjControl(cmd) does the same in-page). Common fields:
mode-> effect profile or alias (classic,life,hierarchical-life,hex-life/hex,kuramoto,gray-scott,physarum,molecule/morphospace,rewrite,word-cloud, ornextto advance)hexRule,hexRuleCycle,hexSpeed,hexSync,hexSweepRows,hexAperiodic,palette-> hex CA controlsspeed,hue,intensity,paused/play/pausebasicVideo,mosaic,mosaicFx,blackout/blackoutFadeMslogo,logoOpacity,logoPositionloopPreference(like/dislike),wordList
- This repo contains multiple experimental pages with overlapping logic.
- Some scripts are in-progress or partially wired;
controller.html+sonicsphere.htmlis the primary path. - Live control mapping doc:
LIVE_CONTROLS_MIXER.md
The theoretical background is in the Hypermusic repository: https://github.com/fractastical/hypermusic